Riverdance is a young Irish boy’s dream come true.
For Belfast native Jason O’Neill, being an audience member at one of the iconic show’s performances was a moment he’ll never forget.
I saw Riverdance when I was 10, and it just changed my life, said O’Neill, who now works as a lead dancer with Riverdance.

Meanwhile, our male troupe had an early start as they performed live on Canada’s largest TV show, Canada AM. Their PR duties must have paid off as the audiences in Toronto were the most memorable of the tour with a whopping near 10,000 people attending our shows!

Boston itself ,being a city quite influenced by the Irish, makes it a hub for many Irish Dancing Schools. We were so thrilled to welcome Irish Dance students from many different dance academies to our performances over the weekend period. Autograph signing and partaking in group shots with throngs of young dancers and enthusiasts makes my job on the road as exciting as ever.

From Saginaw to Syracuse, between easter eggs and new fiddle players, It is only now I’ve had a minute to come up for air and share with you some more stories from our life on the road. We have come past the half way point of our final farewell tour and things are still as exciting as ever! Indulge in my tales from our home away from home.

It’s the last dance. After all those years of foot-stomping, heel-tapping, stiff-backed, step-dance prancing, the Riverdance folk are hanging up their shoes. Truth is, it’s only the North American market that will see a hiatus of the popular show.

Ní Charra ended up touring as a fiddler with Riverdance for eight years, leaving the show six years ago to pursue her own music career. Last year, as the producers started putting together the lineup for the show’s grand finale tour, they asked Ní Charra to come back on the road for, as she put it, a final ‘hurrah!’

Good dancing makes you want to dance, and Riverdance does that. Not only is this incoming production a chance to see, one last time, one of the defining touring shows of the past 20 years, it’s a chance to pay tribute to a show that, I’m sure, swells the ranks of local dance classes, where young girls and boys turn step dancing from something you simply see into something you do.

It goes without saying Chicago lived up to it’s name. I was determined to fit in as much as possible for the week and went in all guns blazing. I was that annoying tourist that we all see walking down the street in our home towns! The very fact we were in a heatwave, overlapped with visits from friends and loved ones and with St. Patrick’s Day flung into the mix, the week was certainly going to prove eventful!

As a dancer, you tend to concentrate so much on your own performance that you forget the effort it takes from our crew members to set up the show. For such a small group they are faced with the mammoth task of building the stage, lights, sound and costume department on a daily basis. This week, I spoke to a few of them to try and find out a bit more about their job responsibilities and daily routine.

Perfectly timed for St. Patrick’s Day, “Riverdance,” the spectacular display of Irish folk dance, speckled with the arts of a few other ethnicities in its mix, returns for what’s billed as its farewell visit, on view through Sunday at the Oriental Theatre.